![]() ![]() They want to combine the deals made with a theatrical, semi-theatrical , and impact campaign that reaches their community and inspires action. ![]() The Unrest team knows their deep knowledge and experience with the ME community are integral to the release strategy. In contrast to most films that premiere at the Sundance Film Festival, the Unrest team goes into the festival with hybrid distribution in mind - wanting to work with curated distribution partners for each avenue of their release, rather than having one distributor handle all of the film’s rights. This is a typical financing structure for documentary films, with a modest amount of recoupable financing and the remainder non-recoupable. The budget is financed through grants and crowdfunding (70%) and equity (20%), with a 10% shortfall at the film’s completion. Documentary Competition section at the Sundance Film Festival, where Unrest premieres in 2017. Unrest’s four-year production budget ends up in the high six-figures, which is average for documentaries in the U.S. Equity financing amounts to 20% of their total production budget. With Catalyst’s goal being to create a culture where investors and filmmakers build fertile partnerships for the long-term, the Unrest team is matched with donors and investors who could assist with production, finishing, and impactfunds. Once the film is on the brink of wrapping, Jen and producer Alysa Nahmias are invited to Sundance Institute’s Catalyst Forum, which connects culturally-engaged film investors and funders with highly-anticipated film projects. ![]() During late post-production, the film receives substantial support from Impact Partners in the form of equity investment. Throughout production, the team receives grant and fellowship support from numerous film organizations. Jen also takes part in the editing lab with editor Kim Roberts. Later she is brought to the 2016 Sundance Film Festival as a Documentary Film Program Fellow along with Unrest producers Lindsey Dryden and Patricia E. In 2013, Jen runs a Kickstarter campaign to fund its production, then named Canary in a Coal Mine, and shortly after receives her first grant, from the Sundance Institute Documentary Film Program. By capturing her raw personal experience, Jen created a film with artistry, intimacy, and an emotional arc that transcended the medical subject matter, while its themes – love, family, adapting to unexpected circumstances, the power of care and empathy – were universal.įrom day one, a continuum of support breathes life into the project. While documenting her journey, and in dialogue with other people with ME, Jen began working to elevate public awareness of this profoundly complex disease. Early in her illness (myalgic encephalomyelitis, also known as CFS or chronic fatigue syndrome), Jen joined an online community of fellow patients in order to build the deep connections that she needed to survive. As a filmmaker, but also an ME patient and activist telling the story of a community from the inside, Jennifer Brea knew there was an important place in the world for her film. ![]()
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